LUTs for Apple Log, S-Log3, D-Log M and iPhone HDR
26 looks per camera, each a .cube file that converts your footage and grades it in one step. Works in Final Cut Pro, Premiere Pro, DaVinci Resolve and CapCut.
Pricing
Single camera pack
USD 29
- 26 looks for one camera: Apple Log, Sony S-Log3, DJI D-Log M or iPhone HLG, picked when you download
- Personal license: your own videos and your own channels that are not monetized
Client work or monetized videos? Add the commercial license for USD 19.
Complete Bundle
Value pick · Save USD 81
USD 54
- All four camera inputs, 26 looks each
- Rec.709 creative LUTs for footage that is already converted, phone video and AI clips
- Setup guides for Final Cut Pro, Premiere Pro, DaVinci Resolve and CapCut
- Lifetime commercial license included: client work, monetized YouTube and social, ads, broadcast, no royalties
USD 135 if you bought four packs and the commercial license one by one.
One payment, no subscription. Checkout takes USDC on Base, Arbitrum One, OP Mainnet, Polygon PoS or Ethereum. Terms: terms, refunds, license.
Free tester LUT
One face-safe look, Clean Punch, for every camera input we support, plus the setup guide for Final Cut Pro, Premiere Pro, DaVinci Resolve and CapCut. Leave an email and the download starts.
We use the email to send Found Grade news now and then; one click unsubscribes. Details: privacy.
Pick your camera
- Apple Log LUTs for iPhone. 26 looks as .cube files for iPhone Apple Log video. Each file converts Apple Log to Rec. 709 and adds one look in a single step.
- iPhone HDR (HLG) LUTs for SDR video. 26 looks as .cube files for iPhone HDR (HLG) video. Each file converts HLG to Rec. 709 SDR and adds one look in a single step.
- Sony S-Log3 LUTs for S-Gamut3.Cine. 26 looks as .cube files for Sony S-Log3 with S-Gamut3.Cine. Each file converts to Rec. 709 and adds one look in a single step.
- D-Log M LUTs for DJI cameras. 26 looks for DJI D-Log M footage: apply DJI's own D-Log M to Rec. 709 LUT for your model, then a Found Grade look.
How it works
Each camera file converts your log footage to Rec. 709 and applies the look in one step, so you use it in place of a conversion LUT, not on top of one. DJI D-Log M is the exception: DJI's own LUT first, then ours. Step by step for each editor: setup guides.